Rafael Domenech's 'The Medium is the Massage' renders the art ... - Document Journal

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The Cuban artist joins Document to discuss the joys of contaminating space, the necessity of repositioning, and why he favors horizontal monumentality over hierarchies


White walls. Thoughtful postures. Careful silence. Don’t touch. Observe things, not people. Don’t spend too long looking, but only long enough. The explicit and invisible rules of the spaces in which we consume art inhibit engagement—often more so than necessary for the human decencies desired and material preservations required.

Misread Unread Read Re-read Misread Unread Re-read engages with, questions, and dissolves those boundaries that reinforce hierarchies. Best-described as a program, MURRMUR is made up of branches that morph and intertwine with one another: prototypes, projects, and presentations by artists, designers, writers, poets, and publishers. Originating with no clear picture of what it would become, the program is built from a commitment to challenge our understanding of exhibitions and what it means to read, publish, and distribute ideas. The fragments that compose it are only connected by location and a shared will to dismantle traditional structures of consumption. Hosted and orchestrated by the Institute of Contemporary Art at Virginia Commonwealth University’s Senior Curator and Director of Programs Sarah Rifky and Assistant Curator of Commerce and Publications Egbert Vongmalaithong, MURRMUR opened in fall 2022 and will unfold through the coming seasons.

Its centerpiece of sorts is The Medium is the Massage—an immersive work that might usually be described as an “exhibition” (it’s a temporary piece of art staged on its own in a museum), but Rafael Domenech, the artist responsible, favors the term “publication.” The project takes its name from the 1967 book, originally an accepted accident. For Domenech, the punning typo “encourages consideration of the ways print publication combines the flow of informational exchange with the commodification and tactility of objecthood.” The hierarchies that seem inherent to an art space—between artist, visitor, staff, and object—are flattened. You can touch it. You can take from it. You can participate in it. You can invent new meanings and functions for it.

Situated on the top floor in an awkwardly shaped room with tall ceilings, the Cuban artist’s creation is situated in the same space as the museum’s offices, with no barriers between it and the often-occupied desks of staff. It’s jarring to encounter, as the galleries below operate in a formal manner that might indicate Domenech’s would do the same. But The Medium is the Massage is missing that same rigidity, security, formality. How you approach it is yours to decide. And like a book, the second time you encounter it will never be quite the same as the first.

For Document, Domenech expands upon the conceptualization of his project for MURRMUR and discusses the joys of contaminating space, the art of repositioning, and why he favors horizontal monumentality over hierarchies.

Rafael Domenech’s ‘The Medium is the Massage’ renders the art show a publication


Rafael Domenech: ‘The Medium is the Massage,’ installation view, ICA at VCU, 2022. Artwork © Rafael Domenech, photograph by David Hale.


Megan Hullander: Where did the concept for The Medium is the Massage originate?

Rafael Domenech: I don’t necessarily feel attracted to exhibitions [where] the space becomes a repository, rather than a material or an active component. For a few years, I’ve been [exploring] how to generate projects from the methodologies or procedures of the publishing industry. I was working on investigations into pavilions or architectural scale structures that would or could function as a publishing platform. It was about reformatting space, coming from philosophical discourse around migration, edges and peripheries through literature, poetry. I’m fascinated by concrete or experimental poetry, or experimental language and how it’s presented—liberating itself from grammatical structures. At the time, the conversation was, What does it mean to make a show or a project? What does it mean to inhabit a space in the museum, in a place I’ve never been to, and where I have no communal ties? An exhibition contains specific historical markers, nominations of objects, and their political and social interactions with the viewer. I said, ‘Can we stop talking about an exhibition and call it a publication?’

Megan: How did the existing space inform the construction of the work?

Rafael: I always say that the first two materials of a project are money and space, and they’re not just enablers. The [ICA] is a complicated building; it’s almost nonsensical in its construction. This room is vaulted. It’s kind of a mistake. It feels like a church or cathedral, and yet everything about it is faulty. There’s no way you can clearly communicate through it; the proportions are completely off. At its base, there’s a lighting system, but it’s almost rendered obsolete because of the window. Everything about this space is off—not in a negative way, but off.

To address it in an interesting manner, I needed to create or develop a space within a space, from a functional perspective. When you enter [an exhibition], there’s a limitation to what you can do or how you can operate. And I think that the first reaction was [that] this space was almost rendering itself unusable. We needed to develop a project that could tactically insert itself in the least invasive way possible, [while] maximizing the capacity to generate something new.

You could think about a billboard and a city. The way that a billboard is placed is based on navigations around the urban space—like traffic arteries, circulation, or whatnot. This was a little bit like that. How do I—and we, as a team—insert this scenario or proposed structure that can create a scenario beyond the standard understanding of this space?

Rafael Domenech’s ‘The Medium is the Massage’ renders the art show a publication

Rafael Domenech’s ‘The Medium is the Massage’ renders the art show a publication


Left: Rafael Domenech, The Medium is the Massage, installation view, ICA at VCU, 2022. Artwork © Rafael Domenech, photograph by David Hale. Right: Rafael Domenech. Courtesy of the artist.


Megan: And how did your idea of horizontal monumentality function in that?

Rafael: I am not interested in hierarchies, or points of view that speak from hierarchical perspectives. I’m interested in overlap, flatness, interconnectivity, and relationships that happen on the same plane. It’s about understanding material circulation across the globe. It’s an ongoing investigation of how modernism evolved into neoliberal, economic infrastructures around urbanism and architecture, and what the implications of the digitalization of communications did to interconnectivity and networks. It’s about developing a platform—a framework—where a number of situations can be generated. We are always negotiating our place.

Horizontality is a battle against vertical monumentality. I don’t think that monuments are interesting pieces of architecture—especially in the context of Richmond, where there have been these immense battles around monuments and bases. The immediate response—I need to make this tall thing—makes you feel overwhelmed, which was the objective of the church developing cathedrals in Medieval times. Instead of that, I anchored it to the ground. The pavilion is 96 inches [tall], the standardized height of a ceiling in a home, so there’s a relatability between commonly-inhabited scales—which is the opposite of the room [at ICA]. We ignored two-thirds of its height. Everything happens in or beneath it.

“I am not interested in hierarchies, or points of view that speak from hierarchical perspectives. I’m interested in overlap, flatness, interconnectivity, and relationships that happen on the same plane.”

Megan: It can be disarming to walk into, in that workspaces exist beside it, and it functions as a classroom at times. Have you been able to watch people experience The Medium is the Massage?

Rafael: A big part of being in a space with others is this voyeuristic notion of looking. I wanted this exhibition to have a moment of strange negotiations around visitors—looking at someone else looking at something, or doing something—who are sharing space in a diversity of ways. You’re aware of someone if you’re crossing them in the lobby, but it seems that when you are in a gallery space, you [have] more awareness of that moment. There might be a class, a bookmaking session, someone using the space as an office, or taking a nap. Who knows? A goal of the show is to find ways to contaminate that space in different manners where there is a cluster of functions happening.

Rafael Domenech’s ‘The Medium is the Massage’ renders the art show a publication


Rafael Domenech: ‘The Medium is the Massage,’ installation view, ICA at VCU, 2022. Artwork © Rafael Domenech, photograph by David Hale.


Megan: Did you include anything within its design to signal to visitors that it doesn’t have the same rules as a traditional gallery space?

Rafael: I’m not into instructions. And that comes from an experience I had when I arrived in the United States, and my English was very, very little. This street had a sequence of businesses from different parts of the world. I [thought], When does the text become ornamentation? What allows that is access to understanding. [When there is] a lack of indication, it’s an interesting moment to negotiate your space and push the boundaries of what it means to be there.

There’s this ongoing process of renewal; you could go through the show and see something today that you may not see tomorrow, or the day after—but you could see some iteration of it.

Megan: There’s a distinctive range of materials, like construction mash plywood and semi-translucent screens. What was the thought process in choosing these materials to connect with the concept of the work?

Rafael: All the materials in the exhibition are tied to the city. These materials are utilized every day to construct and reconstruct the city—the places we are contained inside or around. Those particular materials are linked to the history of display design, display construction, and professional and provisional structures. The art space is a space of repositioning and reevaluation and speculation. This is an attempt to reposition one’s relationship to these materials, where they start to detach from their functional origin. I don’t think about million-dollar ideas, because I don’t have a million dollars. But I can compose an elaborate and complicated scenario with the same materials that anyone else has access to.

“If the space is a publication, it’s about generating moments, experiences, images, content, and how they’re bound—the common spine is the space.”

Megan: What about Marshall McLuhan’s The Medium is the Massage resonated with the project, enough to use it for the title?

Rafael: The Medium is the Massage is a book I hold very dear to my heart, because of its experimental production and understanding of generating a situation in the format of a book. But it’s also the beginning of understanding the relationship between image circulation and image collapse. And that predates the internet and its functions.

What resonated with the project was not the book in and of itself, but the methodologies of composing it. It was a conversation between three people: Marshall McLuhan, Quentin Fiore, and Jerome Agel. The core objective of the show was to compose a situation from a diversity of moments, or to propose that as a methodology for constructing space, rather than developing one line or one idea of how this thing would evolve.

If the space is a publication, it’s about generating moments, experiences, images, content, and how they’re bound—the common spine is the space. That’s why the show expands for such a long time, because you need time to commission and publish and circulate content—it cannot happen overnight. The function of the show is [to illustrate] the capacity of a place or object to perform a diversity of functions.
 
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    Saturday at 🫦❤️🔴🟥♾️𝓕𝓞𝓡𝓔𝓥𝓔𝓡 𝓢𝓟𝓐♾️🟥🔴❤️🫦 2190 Warden Ave, Unit 201, Scarborough 𝟰𝟭𝟲-𝟴𝟬𝟬-𝟳𝟴𝟴𝟳: Cindy, New Girl Lina & Tray, Cindy is a slim beauty, 5’4”, natural C Cups & wonderfully long nipples. Her massage is nice, her bbbj will drive you wild & her cfs finish is a dream come true. Lina is young & slim with nice C Cups, trim waist, sexy bum and long hair.She is vary friendly uses her assets well.
  38. HolidaySpa:
    Saturday at 🌴😎🌅𝓗𝓸𝓵𝓲𝓭𝓪𝔂 𝓢𝓹𝓪🌅😎🌴3517 Kennedy Rd, Unit 4, Scarborough ☎️𝟰𝟯𝟳-𝟮𝟰𝟳-𝟭𝟭𝟵𝟵☎️AMY & NANA. AMY is an attractive young lady with larger breasts and a nice bottom. She has outstanding oral skills, and is very popular. Don’t miss out on her special skills Nana is a slim and very sexy Korean lady, very pretty and accommodating. Come and try, you will like. 🌴😎🌅HOLIDAY SPA🌅😎🌴
  39. SugarLoveSpa:
    Saturday at ❤️💙 💜⎝𝗦𝗨𝗚𝗔𝗥 𝗟𝗢𝗩𝗘 𝗦𝗣𝗔⎠💖💗💘: LUNA, SARA & TIFFANY. 1270 Finch Ave W (at Keele St), Unit 18. North York, ON ☎ 𝟰𝟯𝟳-𝟯𝟲𝟱-𝟮𝟲𝟴𝟴 ☎ LUNA is a slim, VERY PETITE and capable Vietnamese beauty nice natural 34C Cups. Luna can do everything. SARA is a beautiful Thai lady with C Cups, 160 Cms and 50 Kgs, with a full set of services to delight you. TIFFANY is an amazing slim petite
  40. #203MoMo&Beauty:
    MoonMoon spa/416 887 8801/8131Yonge st #203 Persian girl Jasmine in today
  41. Sparkling Spa:
    ⚡🌟SPARKLING SPA⚡🌟 ✅50 Lockridge Ave Unit 8✅ 👌Markham, ON L3R 8X4👌 ☎️ (905) 604-8186 Spa Land Line☎️ ☎️ (437) 446-6688 NEW Spa Cell Phone☎️ (West of Warden & 16th Ave) OPEN 10am to 9pm MONDAY to SUNDAY 🔥✅NEW MANAGEMENT💯NEW GIRLS🔥SUPERSTAR SERVICE QUEENS AVAILABLE AT SPARKLING SPA FOR ALL YOUR MASSAGE AND SPECIAL EXTRA NEEDS🔥💯😘🔥❤️👌 🔥SEXY NEW YOUNG GIRLS ALWAYS WORKING - Today’s Schedule is…🔥 Foxy -🔥Your new addiction at Sparkling Spa! A tall 5’7” sexy Korean girl with a wi
  42. Moneylee:
    Full season Wellness center: Young girl big boobs beautiful face deep massage Connie , Student big boobs buttocks Vicky ,Young girl big breasted beautiful buttocks charming temperament big boobs Anjoo , young girl pretty face nice figure Thai deep massage Linda ,Young girl Big breasted saucy naughty Ella,Enchanting sexy petite deep massage Mary. 🏠 2560 Shepard ave Mississauga unit 1 ☎️ 4379857899 👄👄🦵🦵🈵🈵👅👅
  43. Jenny’s Spa:
    🎉🍒JENNY’S SPA🎉🍒 ✅5170 DUNDAS STREET WEST✅ 👌ETOBICOKE ONTARIO M9A 1C4👌 ☎️( 647-893-5196)☎️Call or Text ☎️( 437-888-3759)☎️Call Only (ETOBICOKE) OPEN 10am to 9pm MONDAY to SUNDAY 🔥✅GRAND OPENING💯NEW GIRLS EVERYDAY🔥EXCELLENT MASSAGE + SERVICE QUEENS NOW AVAILABLE AT JENNY’S SPA FOR ALL YOUR MASSAGE AND SPECIAL EXTRA NEEDS🔥💯😘🔥❤️👌 🔥TWO BEAUTIFUL NEW YOUNG ASIAN GIRLS EVERYDAY🔥 💯REAL PICTURES OF ATTENDANTS💯 🔥TODAY’s ROSTER INCLUDES: Apple😘 - Brand new girl from Taiwan ju
  44. Lulu_Villa_Spa:
    Barbie Very Young, very Petite Korea Student Elena Vietnamese Very young school girl has plump lips, flawless glory skin, D cup, dark hair, Gorgeous face Yuki Sweet Singaporean Girl Her menu is wide open ☎️647- 446-0886
  45. See You Health Center:
    Suki From Taiwan, sweet girl Sexy tight body amazing C cups with Those incredible nipples Sami Gorgeous Model Type CBC Vietnamese School Girl Judy is a gorgeous model type Vietnamese Girl ☎️416-988-2950
  46. Lulu1980:
    Phoenix blossom Spa ♨️♨️♨️table shower 👍👍👍👍👍body scrub🌹🌹🌹🌹5124 Dundas W Etobicoke ☎️416-817-3366 Nice girl Luna is joining. She can provide a very good massage with sensual touch. She knows how to take direction and please a man. Suki 😘can provide deep Thai massage. She takes directions very well. She has many assets and knows how to use them. Come see her today.Welcome to walk in or make an appointment at any time. Plenty of parking space at the back door
  47. New Oriental Health Centre:
    ❤️ Happy & Nayla are here today💄~📞Call 📲 Text: (647) 381-2688 💄Make Your Day Incredibly Delicious 🍑 Our girls provide lots of service options & are Extremely Open-Minded 🤗 We're Open 9am - 2am everyday! Drop in to Unit 26, 10 East Wilmot Street, Richmond Hill.
  48. bnwellness_wilson:
    We have 4 young beautiful girls are working today, young fun Yoyo 30’s open mind with 36 DD and young slime Sophia 30’s, sweet GFE Lina and pretty Ella are providing deep tissue and sensual massage, pls call 416-3985777 book appointment and walk in always welcome, back entrance and parking available, 350 Wilson Ave North York
  49. Annie Spa:
    🎉🍒ANNIE SPA🎉🍒 ✅7-1001 SANDHURST CIRCLE✅ 👌SCARBOROUGH ON M1V 1Z6👌 ☎️ (647) 891-9688☎️ ☎️ (416) 291-8879☎️ (FINCH & MCCOWAN) OPEN 9:30am to 9pm MONDAY to SUNDAY 🔥✅NEW MANAGEMENT💯NEW GIRLS🔥🔥 🔥GORGEOUS NEW YOUNG ASIAN GIRLS - TODAY’s ROSTER INCLUDES: 🔥 Mia😍 beautiful young Singapore girl. Mia has a very sexy body, and beautiful busty boobs and golden blonde hair. She can give a very good teasing and relaxing massage with a sensual great playful HAPPY service. So very sexy beauti
  50. Lulu1980:
    Phoenix blossom Spa ♨️♨️♨️table shower 👍👍👍👍👍body scrub🌹🌹🌹🌹5124 Dundas W Etobicoke ☎️416-817-3366 Nice girl Luna is joining.
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